Epoxy Resin Denver Guide for Immersive Set Designers
The first time you pour clear epoxy over a textured surface, it feels a bit like turning a sketch into a glassy puddle of reality. Light bends, shadows deepen, and…
The first time you pour clear epoxy over a textured surface, it feels a bit like turning a sketch into a glassy puddle of reality. Light bends, shadows deepen, and…
The air hums before the audience hears a single note. A faint buzz behind the flats. The warm plasticky smell of dimmers waking up. Cables rest in lazy coils until…
You are probably here because you want one simple thing: to make art, not sit with tax forms and spreadsheets at midnight. The short answer is yes, you can get…
The floor hums faintly underfoot. Light leaks through gaps in a plywood wall, striping the concrete like fragments of a broken film reel. Somewhere nearby, a door slams, but the…
You walk into a dark warehouse on the near east side. The air smells like sawdust and paint. Someone flicks a breaker, and the whole space comes alive: pools of…
Light spills across the set like it has weight. The actor settles into a low velvet chair, fingers tracing the carved armrest while the audience leans in a little closer…
The stage lights are still warm, the paint on the flats smells faintly of glue, and someone in the back row is arguing about sightlines. You are trying to remember…
The stage lights hit your skin first. Before the set, before the costumes, before the story even lands, people see your face. If you are dealing with breakouts, that thought…
The smell hits first. That cool, slightly earthy air that every basement has, mixed with old paint and maybe a hint of sawdust from the last time you tried to…
The wooden box is scuffed at the edges, warm from too many hands. Brass inlays catch a low amber light. You slide one panel, hear a faint click, feel a…